Great news for TWO TRUTHS AND A LIE!

2018 is off to a great start so far with a bevy of awards and acco­lades for Two Truths and a Lie: It’s Alive!, and I’m so excit­ed to share the lat­est good news with you here!

TLA Topaz list logoFirst, the Texas Library Asso­ci­a­tion include it on their 2018 Texas Topaz Non­fic­tion Read­ing List. Accord­ing to TLA, the Topaz List “high­lights recent­ly pub­lished non­fic­tion gems for read­ers of all ages. Adult ser­vices and youth ser­vices librar­i­ans serve on sep­a­rate com­mit­tees that con­sid­er hun­dreds of non­fic­tion titles for adults and youth respec­tive­ly. The librar­i­ans debate the mer­its, appeal, and impor­tance of the works to curate a list of engag­ing non­fic­tion titles intend­ed to reveal new or lit­tle-known infor­ma­tion, open doors to oth­er worlds, or intro­duce fresh voic­es. With titles for adults and chil­dren PreK-grade 12, there is some­thing for every­one on the Topaz list!”
Texas librar­i­ans ROCK, and being on this list is an incred­i­ble honor! 
Nerdy Book Club bannerNext, the Nerdy Book Club announced their 2017 Nerdies for Long Form Non­fic­tion. I love read­ing this blog, and their pas­sion for chil­dren’s books real­ly comes through. Plus, some of my favorite books and authors are on this list, so I lit­er­al­ly gasped out loud when I scrolled down far enough to see the cov­er of Two Truths and a Lie: It’s Alive! Thank you, Nerdy Book Club! So exciting!!
Cybils 2017 bannerThen, the Cybils announced their 2017 Elementary/Middle Grade Non-Fic­tion Final­ists, and Two Truths and a Lie: It’s Alive! was on their list, too! Again, there are some amaz­ing books here (includ­ing Zoo Sci­en­tists to the Res­cue and Fred Kore­mat­su Speaks Up, which I reviewed in past posts here), and I have been a Cybils judge in the past (so I know how seri­ous­ly they take their work!). Being a Cybils final­ist is an unbe­liev­able thrill!
Booklist Lasting Connections bannerFinal­ly, Book­list shared some love, in both their Spe­cial Fea­ture: Last­ing Con­nec­tions 2017 and Edi­tors’ Choice: Books for Youth, 2017.
Last­ing Con­nec­tions high­lights their top 30 choic­es for the K–8 class­room, all pub­lished in the pre­vi­ous year and all select­ed for their nat­ur­al con­nec­tions across the cur­ricu­lum and to the Com­mon Core State and Next Gen­er­a­tion Sci­ence Standards. 
Booklist Editors' Choice bannerAnd the Edi­tor’s Choice list is select­ed by the Books for Youth edi­to­r­i­al staff, who are “com­mit­ted to pro­vid­ing a broad selec­tion of out­stand­ing books that mix­es pop­u­lar appeal with lit­er­ary excel­lence,” as best-of-the-year non­fic­tion and fic­tion books and pic­ture books. Wow!

Hav­ing a book that you’ve worked hard on appear on lists like these is tru­ly a dream come true, and I could­n’t be hap­pi­er with this news. Cheers to 2018!

2017 in review, and a sneak peek at 2018 goals

2017

If you’ve fol­lowed my blog for a long time (or know me at all), you prob­a­bly know I can be a lit­tle obses­sive about set­ting goals and doing annu­al per­for­mance reviews. So, as 2017 comes to a close, I thought I should reflect on what I’ve accom­plished the past year and think about what 2018 might bring.
2017
One of my main goals for 2017 was to get more com­fort­able speak­ing in pub­lic.  It’s a good thing I was able to do that, since (and prob­a­bly because) I got a lot of prac­tice! Here’s a quick summary:

  • 24 keynotes, assem­blies, pre­sen­ta­tions, or work­shops for young people,
  • 17 Skype visits,
  • 7 pre­sen­ta­tions for adults,
  • 6 book­store appearances,
  • 2 round­table cri­tique sessions,
  • 1 radio inter­view, and
  • an 8‑week improv class.

The suc­cess I feel here isn’t so much from the quan­ti­ty, but from the qual­i­ty. First, it’s got­ten MUCH eas­i­er for me. I can do these talks in stride now and don’t stress out for a whole day pri­or and then need a whole day after to decom­press. That’s a big win! Also, the improv class was odd­ly ter­ri­fy­ing to think about, but so much fun and such a great expe­ri­ence in prac­tice. So, I’m real­ly glad that I pushed myself out of my com­fort zone.
I also had some suc­cess with major writ­ing goals and projects:

  • TWO TRUTHS AND A LIE: IT’S ALIVE! was released in June, and I put a lot of time put into pro­mo­tion, includ­ing devel­op­ing pro­mo­tion­al mate­ri­als like cur­ricu­lum guides and swag, and cre­at­ing new pre­sen­ta­tions around it.
  • We’re just now putting the final touch­es on the sec­ond book in the series, TWO TRUTHS AND A LIE: HISTORIES AND MYSTERIES, which we researched, draft­ed, revised, copy­edit­ed, and sourced pho­tos for all in the past year. This one is so good, I can’t wait to see it out in the world next June!
  • We have the out­line for the third TWO TRUTHS AND A LIE book just about wrapped up, too, so 2018 will see a lot of work (and fun!) on that front.
  • I wrote a brand-new pic­ture book from scratch, revised it, and it went out on sub­mis­sion! I’m hope­ful this one will find a home in 2018.
  • I revised my MG non­fic­tion project and sent it back out on sub­mis­sion. Alas, it looks like this one will need yet anoth­er fresh approach, which is also on the sched­ule for 2018. I’m mulling over a cou­ple of ideas about how to proceed.
  • I worked on revis­ing two oth­er pic­ture books, one fic­tion and one non­fic­tion, but nei­ther one is quite ready yet. More work to come on both of those in the year ahead, and hope­ful­ly they’ll be ready to send out soon.
  • I start­ed research­ing a new pic­ture book biog­ra­phy. I’m real­ly excit­ed about this one, and the research so far has only fueled my inter­est fur­ther. I hope I can com­plete a first draft in the com­ing year.
  • I had a new idea for anoth­er non­fic­tion pic­ture book and have start­ed research­ing that one as well. This one is still in the idea phase and will take some noodling to get just the right approach, so for now I’ll keep research­ing and think­ing and see what happens.

2018
As you can see from the above, I’ll have my work cut out for me in 2018 with one new book to pro­mote, one under con­tract to write, (at least) two pic­ture books to fin­ish revis­ing, the MG non­fic­tion to re-envi­sion, and the two new pic­ture books to research and draft. Phew — that’s a lot of big goals. Wish me luck! =D

TWO TRUTHS AND A LIE resources for teachers and #GIVEAWAY!

Educator's Guide cover

It is with great excite­ment and grat­i­tude that I give you this list of amaz­ing edu­ca­tion­al resources that won­der­ful edu­ca­tors and design­ers have com­piled to go along with TWO TRUTHS AND A LIE: IT’S ALIVE! and, hope­ful­ly, make it easier–and more fun–for teach­ers or librar­i­ans to put to use in the classroom!


Educator's Guide for teachersFirst up is the Edu­ca­tor’s Guide to Sup­port Infor­ma­tion Lit­er­a­cy, writ­ten by amaz­ing 5th grade teacher Melis­sa Guer­rette, M.Ed., NBCT. This guide is chock full of tips teach­ers can use to teach stu­dents how to eval­u­ate sources and fact-check any mate­ri­als they may encounter, whether they are read­ing the sto­ries from TWO TRUTHS AND A LIE or just about any­thing else.
It includes a print­able Fact or Fic­tion note-tak­ing work­sheet teach­ers can use to help read­ers ana­lyze a text to deter­mine if it is true or false and record evi­dence of their think­ing process­es along the way.
It also has a list of the Com­mon Core State Stan­dards sup­port­ed by the activ­i­ties in the guide, AND an impres­sive col­lec­tion of addi­tion­al resources for teach­ers of infor­ma­tion lit­er­a­cy concepts.
Down­load the PDF of the guide HERE.

TTL Stem Game for teachersBut wait, there’s more! Award­ing-win­ning Library Media Spe­cial­ist and STEM Coor­di­na­tor Suzanne Cost­ner part­nered with Curi­ous City DPW to cre­ate a STEM Card Game and com­pan­ion research activ­i­ties. “As a school librar­i­an with a pas­sion for STEM top­ics, I saw this book as an oppor­tu­ni­ty both to explore inter­est­ing sto­ries and to devel­op cru­cial infor­ma­tion lit­er­a­cy skills,” says Suzanne. Using sci­en­tif­ic top­ics pulled from the book’s side­bars, they cre­at­ed a 52-card card deck that teach­ers can print out for their class­room. In Round 1, Play­er 1 reads a state­ment to Play­er 2 from a card. Play­er 2 decides whether the state­ment is a “Truth” or a “Lie.” In Round 2, play­ers choose a research top­ic from their amassed cards and make three game cards of their own – two truths and one lie on their cho­sen top­ic. In Round 3, play­ers try to out­wit each oth­er with the game cards they have cre­at­ed. Each new game in the class­room grows the game deck with new STEM material!
Down­load the PDF of the Truth or Lie? STEM Card Game HERE.
Suzanne and Curi­ous City DPW also put togeth­er the Two Truths and a Lie: What’s Your Source?, which pro­vides teach­ers with links for stu­dents to explore for top­ic val­i­da­tion and gives them the chance to com­pare and cross-check the infor­ma­tion before mak­ing their final deci­sion on whether the sto­ries in TWO TRUTHS AND A LIE: IT’S ALIVE! are fact or fic­tion; Two Truths and a Lie: Reach­ing for Resources, which pro­vides edu­ca­tors with links con­nect­ed with the book’s chap­ters to build infor­ma­tion lit­er­a­cy lessons upon, and the Two Truths and a Lie: Ratio­nale, Cur­ricu­lum Con­nec­tions & Grad­ing Rubric.


To go along with all of this excite­ment, for a lim­it­ed time Curi­ous City DPW is host­ing a GIVEAWAY! Read all about it and ENTER HERE, but hur­ry! Win­ners will be announced Decem­ber 5, 2017!


I’m super excit­ed about how these might spur class­room dis­cus­sions around STEM top­ics and infor­ma­tion lit­er­a­cy. If you use either of them with stu­dents, please let me know! I’d love to hear about how teach­ers are putting into prac­tice and any sug­ges­tions for how it could be improved. And, of course, pic­tures would be fantastic!

Interview with Patricia Newman and Annie Crawley

#ProtectOurWorld challenge poster

Last week I post­ed a review of ZOO SCIENTISTS TO THE RESCUE here. Today I’m hon­ored to fol­low up on that post with an inter­view with both of the book’s cre­ators, author Patri­cia New­man and pho­tog­ra­ph­er Annie Craw­ley, as part of their blog tour. Enjoy, and be sure to check out the rest of the stop in the blog tour, too!  (See below for a com­plete list.)
LAT: How did you first become inter­est­ed in doing a book about zoo sci­en­tists in gen­er­al, and about these three in particular? 
Patricia headshotPatri­cia: When my niece was in fifth grade, she told me about a per­sua­sive essay her teacher assigned. The top­ic was zoos—are they good or bad? Only the teacher didn’t pro­vide a bal­anced look—most of the lit­er­a­ture she shared with the kids was anti-zoo. As the moth­er of a zookeep­er, I knew my niece—and kids like her—needed the oth­er side of the sto­ry. That expe­ri­ence plant­ed the seeds for Zoo Sci­en­tists to the Rescue.
Patri­cia: Dur­ing my ini­tial research, I learned that zoos tack­le con­ser­va­tion using three basic approach­es: vis­i­tor edu­ca­tion; cap­tive breed­ing and rein­tro­duc­tion pro­grams; and in situ study, or study­ing wildlife in their native habi­tats. I searched for sev­er­al months, con­duct­ing brief phone inter­views with peo­ple at var­i­ous zoos to find the best match. Not all zoos are large enough to have research depart­ments, and the largest zoos often charge an hourly fee to inter­view their sci­en­tists. Some even charge hefty licens­ing fees to write about their “intel­lec­tu­al prop­er­ty.” But final­ly, the pieces slid into place only slight­ly dent­ing my bank account. I found three charis­mat­ic species (orang­utans, black-foot­ed fer­rets, and black rhi­nos) and three sci­en­tists will­ing to speak to me who address the three main ways zoos pro­mote con­ser­va­tion. And this was all before I’d writ­ten a word!
Annie headshotAnnie: I was born and raised in Chica­go, Illi­nois. Lin­coln Park Zoo con­nect­ed me with nature on a very deep lev­el. It is open 365 days a year and it is free, so for a Mom with four kids that was impor­tant. All sum­mer long we would go to the zoo in the morn­ing and North Avenue Beach in the after­noon. We would get to know the ani­mals. In 5th grade I learned that all of our Great Apes need­ed pro­tect­ing. I signed up for a spe­cial Behind the Scenes pro­gram for stu­dents. This pro­gram had us work­ing with the sci­en­tists, keep­ers, and access to so many wildlife lead­ers. Zoos had a great impact on my life and the way I choose to live my life. When Pat­ti approached me to work with her on Zoo Sci­en­tists to the Res­cue, I was all in. It is vital for kids/teens to con­nect with nature and con­ser­va­tion and I believe Zoo Sci­en­tists to the Res­cue will inspire many fam­i­lies to pro­tect our world.
LAT: I so agree. As a zoo lover myself, it was real­ly heart­en­ing to read such a thor­ough, well-researched (and gor­geous!) look at the good work that zoos are doing. Besides me, what kind of read­er do you think ZOO SCIENTISTS will appeal to?
Patri­cia: I write for the kid who asks ques­tions about ani­mals and our world; the kid who wants to pro­tect wildlife; the future sci­en­tist; the future writer with a pas­sion for the envi­ron­ment; or the vora­cious read­er. But way at the back of my mind, I write the kinds of books I would have liked to read as a kid.
Annie: Sim­i­lar to Plas­tic Ahoy! Inves­ti­gat­ing the Great Pacif­ic Garbage Patch, this book is tar­get­ed to 3–8 grade stu­dents. I have had pre-sale copies and shared it with many… and young and old tru­ly love this book. Every time I read it, I am even more inspired into action. It will appeal to nature lovers, zoo enthu­si­asts, sci­en­tif­ic minds, and any­one who wants to learn more about our world. More impor­tant, I think any­one who reads Zoo Sci­en­tists to the Res­cue will want to help our world!
LAT: I think it’s hard to read this book (or Plas­tic Ahoy!) and not come away with an enhanced pas­sion for sci­ence, the envi­ron­ment, and doing what we can to help. What was your favorite part of mak­ing ZOO SCIENTISTS? 
Patri­cia: I love to get to know the sci­en­tists. They always inspire and amaze me, and I hope they will inspire young read­ers to fol­low in their foot­steps. I keep in touch with the sci­en­tists I inter­view to find out where sci­ence takes them and how their research grows and develops.
Annie: Get­ting kissed by Maku, a black rhino!
Annie: My favorite part of mak­ing this book was trav­el­ing togeth­er with Patri­cia and being able to be a part of all of the inter­views so that I knew the kinds of images (both pho­to and video) that would be impor­tant to tell the sto­ry. My favorite trip was of course trav­el­ing to Chica­go and to doc­u­ment black rhi­nos and Dr. Rachel San­tymire at the Lin­coln Park Zoo. Cur­rent­ly I live in Seat­tle, so to be able to cre­ate a book fea­tur­ing a sci­en­tist from a zoo that helped shape who I am, and one where I spent hun­dreds and hun­dreds of hours of my youth was very excit­ing. We got a tour of the back area of the rhi­no exhib­it and then worked with Maku’s keep­er in the exhib­it so that I could get some great pho­tos. It’s the shoot we did that the cov­er of the book came from. Dur­ing the shoot, the keep­er would work with him and feed him snacks. She let me give him one and the next thing I knew Maku kissed my hand.
LAT: That is so cool! It sounds like it real­ly was a treat for both of you to work on this project. What was the hard­est part of the mak­ing ZOO SCIENTISTS, and how did you deal with that?
Patri­cia: For me, the hard­est part was lin­ing up the three zoos. After the zoos, the ani­mals, and the sci­en­tists fell into the place, the rest of the book was a breeze in comparison!
Annie: Time is the hard­est part of mak­ing any book. Shoot­ing with Jeff Baugh­man at the Cheyenne Moun­tain Zoo was very chal­leng­ing pho­to­graph­i­cal­ly on many lev­els. We were giv­en per­mis­sion to shoot at the breed­ing facil­i­ty, but there were many points to con­sid­er. Their main goal is to breed black-foot­ed fer­rets to rein­tro­duce into the wild. BFFs are noc­tur­nal, soli­tary ani­mals that do not do well with stress. They also need dim light­ing. So not know­ing any of this in advance, I had to work very effi­cient­ly in low light to cap­ture these charis­mat­ic animals.
LAT: I can cer­tain­ly under­stand the dif­fi­cul­ty of the research and logis­tics to line up the three zoos and their projects, Patri­cia, and I’m so glad it worked out. But I can’t even imag­ine how you came up with such great pho­tos in that kind of envi­ron­ment, Annie. Hats off to both of you! Dur­ing your research, did any­thing sur­prise you, catch you off guard, or make you change your planned course for mak­ing ZOO SCIENTISTS?
Patri­cia: I didn’t come across any sur­pris­es that made me change course, but I’m always sur­prised by the cool­ness of the sci­ence and how sci­en­tists solve prob­lems. The sto­ry of black-foot­ed fer­rets being saved from the brink of extinc­tion, not once but twice, is tru­ly astonishing!
Annie: We fea­ture Mered­ith Bas­t­ian from Smithsonian’s Nation­al Zoo­log­i­cal Park. We were able to inter­view her while Patri­cia and I were in Wash­ing­ton, D.C., accept­ing a Green Earth Book Award for Plas­tic Ahoy! We had a very lim­it­ed time with the sci­en­tist and only were grant­ed per­mis­sion the day before we arrived. In our allot­ted one hour, we inter­viewed her, but had no time to pho­to­graph her with the orang­utans nor did we have access on a lev­el that we were giv­en at the oth­er zoos with the ani­mals. It was also a very cloudy/rainy day so the orang­utans were not very coop­er­a­tive! Because I knew we need­ed to get orang­utan images for the book from oth­er zoos, I start­ed hang­ing out at my local zoo in Seat­tle, the Wood­land Park Zoo, to cap­ture images. In addi­tion, I was trav­el­ing to Aus­tralia and made a point to go to the Mel­bourne Zoo. Their orang­utan exhib­it is phe­nom­e­nal and real­ly helps edu­cate peo­ple on how farm­ing palm oil can be so destruc­tive to our environment.
LAT: I was aston­ished by the sto­ry of the BFFs, too. And, as a Seat­tleite myself, I love vis­it­ing the orang­utans at the Wood­land Park Zoo. How neat to know that they are pic­tured in ZOO SCIENTISTS! I’m always curi­ous about oth­er writ­ers’ and illus­tra­tors’ (includ­ing pho­tog­ra­phers’!) research process­es. Can you tell us about yours? Did you plot the basic out­line first, then fill in the blanks with research? Or did you immerse your­self in the research first, then feel your way into the struc­ture? I see you did a lot of email and phone interviews—did you have to go back and forth to com­plete the sto­ries? Were there any fun facts that got cut that you were sad to see go? 
Patri­cia: When I write for Mill­brook Press, I have to sub­mit a for­mal pro­pos­al which pro­vides a basic overview of the idea, describes the chap­ters, and gives the acqui­si­tion com­mit­tee an idea of where this book would fit in the mar­ket. In order to com­plete the pro­pos­al, I con­duct short infor­ma­tion­al inter­views with the sci­en­tists by phone. Dur­ing these inter­views, I try to find out the broad strokes of their sto­ry and whether they are will­ing to com­mit the nec­es­sary time to lengthy in-per­son inter­views, clar­i­fi­ca­tion ques­tions, and vet­ting the final man­u­script. Once I have a scientist’s buy-in, I can craft the pro­pos­al and hope­ful­ly give my edi­tor some idea what my nar­ra­tive thread might be.
Patri­cia: When the acqui­si­tions com­mit­tee gave me the go-ahead on Zoo Sci­en­tists to the Res­cue, Annie and I made three trips to the three dif­fer­ent zoos to inter­view the sci­en­tists and photograph/film them at work. We braved a spring bliz­zard, backed away from a charg­ing rhi­no, and laughed when a chat­ter­ing black-foot­ed fer­ret told us exact­ly what he thought of our intru­sion on his space!
Patri­cia: And as for cut­ting fun facts, nev­er! I re-word and re-imag­ine before I cut any­thing fun. The writ­ing was all about the fun. Why wouldn’t I share that with read­ers at every opportunity?
Annie: Patri­cia and I trav­eled togeth­er for all of the inter­views. She shared with me many of the papers the sci­en­tists had writ­ten and we dug deep into who they were. Being able to doc­u­ment with pho­tos and videos always takes research because the more you know about your sub­ject, the more knowl­edge you can bring to your cre­ative approach. Once the first draft was writ­ten, I knew I had to doc­u­ment many oth­er ani­mals. At this time, I became a zoo stalk­er with my cam­era. I spent weeks at the Wood­land Park Zoo in Seat­tle get­ting to know the ani­mals so that I could look for spe­cial moments. A pho­tog­ra­ph­er also has to wait for light for the sub­jects. Ear­ly morn­ing and lat­er after­noons in the fall gives you a gold­en light.
LAT: Oh, I love get­ting that insight into the process. What was your larg­er goal, i.e. what were you try­ing to give read­ers of ZOO SCIENTISTS as a takeaway?
Patri­cia: A Sene­galese forestry engi­neer by the name of Baba Dioum pre­sent­ed a paper at a 1968 meet­ing of the IUCN. In his paper he said, “In the end we will con­serve only what we love; we will love only what we under­stand; and we will under­stand only what we are taught.” When I write books like Zoo Sci­en­tists to the Res­cue or Sea Otter Heroes or Plas­tic, Ahoy!, I want read­ers to come away with a new­found respect for our con­nec­tion to the nat­ur­al world. Our habits mat­ter because they cre­ate rip­ples across the globe. So, whether we con­serve ener­gy to reduce cli­mate change, learn to appre­ci­ate the role an apex preda­tor plays in its ecosys­tem, reduce the amount of sin­gle-use plas­tic in our lives, or buy prod­ucts that use sus­tain­ably-sourced palm oil, we choose to cre­ate pos­i­tive rip­ples that help pre­serve the breath­tak­ing abun­dance of bio­di­ver­si­ty on our planet.
Annie: When photographing/filming I always want to doc­u­ment and help view­ers see what a writer/script needs to tell a sto­ry. Zoo Sci­en­tists to the Res­cue cap­tures what peo­ple are doing to help save endan­gered species and their envi­ron­ments. I’m hop­ing that all of our read­ers feel inspired into action to help pro­tect our world.
LAT: Well said, and I do think you suc­ceed­ed. In addi­tion to teach­ing some­thing to our read­ers, I believe every book teach­es us some­thing new–about the world, about
our­selves, or about the craft of cre­at­ing. What have you learned as a result of mak­ing ZOO SCIENTISTS? 

Patri­cia: Every time I write a book about an aspect of the envi­ron­ment, I’m remind­ed that sci­en­tists find new con­nec­tions all the time between humans and the plants and ani­mals that share our plan­et. I guess that’s job secu­ri­ty for me, but it’s also a wake-up call for young read­ers. With­out a clean ocean will there be enough food to eat or oxy­gen to breathe? With­out preda­tors like black-foot­ed fer­rets or sea otters, how will their respec­tive ecosys­tems thrive? And with­out large ani­mals like orang­utans and black rhi­nos, will the small­er ani­mals also dis­ap­pear? Despite what our cur­rent admin­is­tra­tion seems to think, humans are not “enti­tled” to use and abuse the world’s nat­ur­al resources with­out giv­ing back. We have to con­serve for the future.
Annie: Zoos are real­ly impor­tant places in our world for con­ser­va­tion, edu­ca­tion, inspi­ra­tion and so much more. If the habi­tat of the orang­utan dis­ap­pears because of our need for palm oil, the orang­utans dis­ap­pear. If black rhi­nos are killed to extinc­tion because of poach­ers, then the human pop­u­la­tion has failed to pro­tect the ani­mals in need of our pro­tec­tion. There is so much destruc­tion hap­pen­ing all around need­ing to be doc­u­ment­ed, shared, and reversed. I’ve learned we all need to raise our voic­es togeth­er and do every­thing pos­si­ble to pro­tect our world.
Annie: Cli­mate change is real and our ocean is the great reg­u­la­tor of our plan­et. The weath­er affects all the regions of the world. Peo­ple always look at our plan­et from a peo­ple point of view… and I have always looked out for the ani­mals. We told the sto­ries of these three ani­mals and their envi­ron­ment through the lens of peo­ple help­ing them… while oth­er peo­ple are try­ing to destroy the very same animals.
Annie: This is the sec­ond title Patri­cia and I co-cre­at­ed with edi­tor Car­ol Hinz and entire Lern­er Pub­lish­ing design/marketing crew. It rein­forced how much I tru­ly appre­ci­ate the team effort to take a book from your imag­i­na­tion into one you can hold in your hands and share with oth­ers. It was Mar­garet Mead who said, “Nev­er doubt that a small group of thought­ful, com­mit­ted cit­i­zens can change the world; indeed, it’s the only thing that ever has.” With this book, we are hop­ing to inspire peo­ple into action to pro­tect our world!
LAT: Thank you for shar­ing those impor­tant lessons with us. What are you both work­ing on next?
Patri­cia: Annie and I have are mulling over a few pos­si­bil­i­ties for our next book, but you can bet we’ll come up with some­thing. In the mean­time, I have two books com­ing out in 2018: a pic­ture book called Neema’s Rea­son to Smile (illus­trat­ed by the tal­ent­ed Mehrdokht Ami­ni) which tells the sto­ry of a Kenyan girl who yearns to be more, and anoth­er mid­dle-grade non­fic­tion sci­ence book called Eaves­drop­ping on Ele­phants which fol­lows sci­en­tists who study for­est ele­phants sim­ply by lis­ten­ing to them. I’m extreme­ly excit­ed about both of these titles because they held kids become glob­al cit­i­zens in very dif­fer­ent ways.
Annie: Although Zoo Sci­en­tists to the Res­cue offi­cial­ly launch­es in Octo­ber, we still have so much to do! We just fin­ished our trail­er and are hop­ing schools and orga­ni­za­tions will wel­come us to come inspire and speak. We are plan­ning a 30-Day Chal­lenge for every­one to do one thing every day that will help #Pro­tec­tOur­World
Annie: My Uncle Al always said, “Annie, have your fin­gers in 12 dif­fer­ent project ideas…” As I’m writ­ing this, I am on my way to film whales in Ton­ga. Three days ago, I was in the San Juan Islands off the coast of Belling­ham, WA, doc­u­ment­ing the envi­ron­men­tal dis­as­ter of the Cooke Salmon Farm net cat­a­stro­phe which released 300,000 farmed Atlantic Salmon into the Puget Sound/Salish Sea. In June I was in the Arc­tic Cir­cle. And I’m also lay­ing the ground­work on a larg­er project I’d like to work on with Patricia.
LAT: These projects all sound so excit­ing! I’m look­ing for­ward to hear­ing more about them all when the time comes. Is there any­thing you wish I would’ve asked you but didn’t? 
Patri­cia and Annie: You were very thor­ough, Lau­rie, and asked us great ques­tions! Thank you so much for par­tic­i­pat­ing in the blog tour. We are very grate­ful to you for want­i­ng to write about us and share our sto­ry with your read­ers. Per­haps we can close with a statement:

We tru­ly hope our sto­ry and read­ing the book Zoo Sci­en­tists to the Res­cue will inspire oth­ers to act. The orang­utans, black rhi­nos, and black-foot­ed fer­rets would not be with us today if it were not for peo­ple giv­ing them a voice. Yet, they are endan­gered because of peo­ple. We all need to raise our voic­es togeth­er, take an action every day, and share with your friends, fam­i­ly, and col­leagues what you are doing and why. We need to work togeth­er to #Pro­tec­tOur­World.

LAT: I think that’s a great way to close. Thank you so much, Patri­cia and Annie, for answer­ing my ques­tions and for your ded­i­ca­tion to bring­ing great books like ZOO SCIENTISTS into the world. I am sure YOUR actions will have many rip­ple effects around the world. 
Catch up and fol­low along with the rest of the blog tour here:

To down­load posters with infor­ma­tion about the 30-day #Pro­tec­tOur­World jour­nal chal­lenge, click here.

#ProtectOurWorld challenge poster #ProtectOurWorld challenge journal

Thanks for visiting!
Facts First! Nonfiction Monday

Review: ZOO SCIENTISTS TO THE RESCUE

Zoo Scientists cover

Zoo Scientists cover

ZOO SCIENTISTS TO THE RESCUE
by Patri­cia New­man, pho­tographs by Annie Crawley
Mill­brook Press/August 1, 2017
Grades 4–8, 64 pages

Here’s what the pub­lish­er says:

Zoos take care of ani­mals and wel­come vis­i­tors of all ages, but that’s not all zoos do. Author Patri­cia New­man and pho­tog­ra­ph­er Annie Craw­ley bring read­ers behind the scenes at three zoos to meet sci­en­tists work­ing to save endan­gered animals.
Mered­ith Bas­tian’s expe­ri­ences study­ing wild orang­utans help edu­cate both zoo vis­i­tors and the zoo work­ers who care for cap­tive orang­utans. Jeff Baugh­man breeds black-foot­ed fer­rets and rein­tro­duces them into the wild. And Rachel San­tymire exam­ines poop from black rhi­noc­er­os­es at the zoo and in their nat­ur­al habi­tat to ben­e­fit all black rhi­nos. Find out how zoo sci­en­tists are help­ing us learn more about these remark­able, at-risk species before it’s too late!
Fea­tures: Author Biog­ra­phy, Bib­li­og­ra­phy, Full-Col­or Pho­tographs, Fur­ther Read­ing, Glos­sary, Index, Maps, Pri­ma­ry Source Quo­ta­tions, Websites

The pro­fes­sion­al review­ers liked it:

“Many kids are famil­iar with zoos, but there’s much more to these attrac­tions than an oppor­tu­ni­ty to see ani­mals up close. New­man shines a light on the impor­tant work zoo sci­en­tists do to aid con­ser­va­tion and con­tribute impor­tant research, both at zoo labs and in the wild. This engag­ing­ly writ­ten book focus­es on three sci­en­tists and their work pro­tect­ing and research­ing orang­utans, black-foot­ed fer­rets, and black rhi­noc­er­os­es, respec­tive­ly. Each sci­en­tist describes his or her back­ground, research in the wild, chal­lenges to con­ser­va­tion efforts, and how zoo labs help them do their work. Pho­tos of the sci­en­tists in the field, as well as their ani­mal research sub­jects, enlivens the already fas­ci­nat­ing mate­r­i­al. New­man clear­ly describes the con­di­tions that led to each species becom­ing endan­gered and encour­ages read­ers to think care­ful­ly about their own actions in light of threats to wildlife. Though the book appears slim, the con­tent is fair­ly dense, so this will like­ly appeal more to mid­dle-grade read­ers. Hand this to kids who can’t get enough of the Sci­en­tists in the Field series.” —Book­list

“In this incred­i­bly infor­ma­tive book, read­ers learn about three zoo sci­en­tists who are work­ing to save three species (orang­utans, black-foot­ed fer­rets, and wild black rhi­nos) using a vari­ety of meth­ods, from con­ser­va­tion edu­ca­tion to breed­ing pro­grams. New­man also includes ideas on how stu­dents can con­tribute to con­ser­va­tion efforts, such as reduc­ing palm oil usage. Var­i­ous zoos and orga­ni­za­tions that focus on con­ser­va­tion are also men­tioned; for exam­ple, biobanks, where sci­en­tists freeze the sperm and eggs of var­i­ous species in order to pro­tect it from a cat­a­stroph­ic loss. The pho­tographs show the ani­mals as well as the sci­en­tists and effec­tive­ly enhance the infor­ma­tion pre­sent­ed. Sev­er­al charts, includ­ing one com­par­ing apes and mon­keys, add a deep­er lev­el of under­stand­ing. Maps of the orig­i­nal and cur­rent habi­tats of the crea­tures are help­ful in visu­al­iz­ing how the earth has changed over the years. A great book for research or for stu­dents inter­est­ed in con­ser­va­tion. School Library Journal

And here are my thoughts:
I real­ly enjoyed this book. As the Book­list review above says, the book is quite slim, so I was not expect­ing to learn as much as I did once I cracked the cov­er! On the one hand, I did­n’t want to put the book down, because I was so engrossed in the sto­ries and infor­ma­tion. On the oth­er, it was nice­ly bro­ken up into the three sep­a­rate sto­ries fol­low­ing three sep­a­rate sci­en­tists and their efforts to help three spe­cif­ic species, so it was easy to pick up where I’d left off when I was forced to walk away for a bit. The sci­ence is fas­ci­nat­ing, the human sto­ries are com­pelling, and the gor­geous pho­tog­ra­phy brings it all to life right before your eyes. I’ve been ambiva­lent about zoos my whole life. I love ani­mals, so I love being able to see them… but I also want them to live as hap­pi­ly and nat­u­ral­ly as pos­si­ble. This book helped me see a dif­fer­ent side of zoos that I have heard about but nev­er real­ly had a chance to explore in much detail or depth, the con­ser­va­tion aspect. I admire the sci­en­tists pro­filed in this book and the work that they’re doing, and I am grate­ful to Patri­cia New­man and Annie Craw­ley for shar­ing their sto­ries with us.
Final­ly, watch the trail­er to see some of the peo­ple and ani­mals from the book!

Author interview with Sarah Albee

A few weeks ago, I reviewed POISON: DEADLY DEEDS, PERILOUS PROFESSIONS, AND MURDEROUS MEDICINES, by Sarah Albee. Today, I’m excit­ed to host Sarah for an inter­view with the author! Read on to learn more about how she wrote this par­tic­u­lar book and much, much more…


LAT: Wel­come, Sarah, and thanks for agree­ing to answer my questions! 
LAT: You know how much I love your new book, POISON. The whole time I was read­ing it, though, I kept won­der­ing… how did you first become inter­est­ed in writ­ing about poisons?
Sarah Albee author photoSA: I’ve been fas­ci­nat­ed with poi­son ever since I was a young kid, from the first fairy tales that were read to me, to sto­ries that I read myself as I got old­er. Snow White, Sher­lock Holmes, Agatha Christie, Shakespeare—I want­ed to know if those poi­son­ings from lit­er­a­ture were pos­si­ble in real life, and if they were, I want­ed to know what was going on at the mol­e­c­u­lar lev­el of a per­son who’d been poi­soned. The idea of writ­ing a book about poi­son occurred to me a few years ago, as I was research­ing my book, Why’d They Wear That? Asso­ci­at­ing poi­son with fash­ion may sound odd, but my inter­est was piqued as I learned more about how arsenic became wild­ly pop­u­lar in the 19 th century—it was everywhere—at every apothe­cary shop, in arseni­cal green fab­ric, in paint pig­ments, even in edi­ble arsenic com­plex­ion wafers (!). The his­to­ry of poi­son just seemed like a per­fect way to link so many things that intrigue me—mysteries, detec­tive sto­ries, human pas­sion, alche­my, art, pol­i­tics, social his­to­ry, and the his­to­ry of medicine.
LAT: And that link­ing of so many dif­fer­ent top­ics is one of the biggest rea­sons I enjoyed read­ing it so much! Besides geeky non­fic­tion authors, what kind of read­ers do you think this book will appeal to?
SA: I hope it will have what pub­lish­ers call “crossover appeal,” which for me would be kids who think they pre­fer to read only fic­tion. I per­son­al­ly love know­ing the “back sto­ry,” no mat­ter what genre I’m read­ing. I find that I still ask myself: “Could that actu­al­ly hap­pen in real life?” I hope the book will appeal to sci­ence-ori­ent­ed read­ers, his­to­ry lovers, and to kids who love mysteries!
LAT: I think it will. Your pas­sion for the sub­ject comes through on every page. What was your favorite part of the book to research and/or write?
SA: At the risk of sound­ing hokey, every part of the research was fas­ci­nat­ing. Poi­sons in the ancient world, poi­sons in the Renais­sance, poi­sons in the 19th cen­tu­ry and the rise of forensics—I mean, there was lit­er­al­ly nev­er a dull moment. I loved vis­it­ing a poi­son plant gar­den and see­ing in per­son all the poi­so­nous plants I’d been read­ing and writ­ing about. I loved talk­ing to muse­um cura­tors and get­ting spe­cial, pri­vate access to amaz­ing col­lec­tions of bones and body organs and
artifacts.
LAT: Sounds like fun! What was the hard­est part of the research and/or writ­ing for you, and how did you deal with that?
SA: The hard­est part was fig­ur­ing out how to nar­row down my top­ic. Ear­ly drafts of the book were, well, in need of a firm edi­to­r­i­al hand. Luck­i­ly I have won­der­ful beta read­ers and a fan­tas­tic edi­tor, and with vary­ing degrees of gen­tle­ness and can­dor, they informed me that I need­ed to cut, cut, cut. Thank god for editors.
LAT: Hear, hear! I can relate to that one. Did any­thing dur­ing the research phase sur­prise you, catch you off guard, or make you change your planned course for the book?
SA: Yessir­ree. See above re hav­ing to nar­row down my top­ic. In an ear­li­er draft, I’d includ­ed a pret­ty exten­sive his­to­ry of anes­the­sia. It is SO COOL. Prepar­ing a patient for surgery in ancient times ranged from hav­ing the patient inhale fumes from a soporif­ic sponge soaked in man­drake and opi­um, to bonk­ing him over the head with a mal­let. Which unfor­tu­nate­ly led to many patients nev­er wak­ing up. The dis­cov­ery of ether and chlo­ro­form total­ly trans­formed the way sur­geons per­formed oper­a­tions. But my edi­tor and I final­ly decid­ed we need­ed to cut most of that out, which pained me as much as bod­i­ly cuts with­out anes­the­sia. (Ha ha, not real­ly!) Although many types of poi­sons were used as both anal­gesics and anes­thet­ics, I had to acknowl­edge that they didn’t quite fit in a book about nefar­i­ous poi­sons. (Side note: I now have the most pro­found respect for anesthesiologists.)
LAT: Per­haps it’ll come in handy for anoth­er book, some­where down the line. I can image you col­lect­ed a TON of inter­est­ing infor­ma­tion along the way. How do you man­age all of your research for a book like this? What’s your sys­tem? (Tell me, please, because mine feels woe­ful­ly amateurish!)
SA: Ha! I wish I could tell you that I’m super sys­tem­at­ic about my research, but every time I begin a new project it’s a big, blob­by mess. For this book, I began by read­ing widely—biographies about the Bor­gias, Roman emper­ors, Cather­ine de Medici, Empress Wu. I read ear­ly med­ical jour­nals, up-to-the-minute schol­ar­ly arti­cles, and pri­ma­ry sources like trav­el­ogues and diaries. I took an online course in chem­istry, and anoth­er in foren­sics. I inter­viewed tons of peo­ple, and became a pest to my sci­ence-teacher friends (“explain to me again what an alka­loid is?”). The one god­send was I knew what my struc­ture would be—the book would be chrono­log­i­cal, from ancient times to the present, so I was able to lump my top­ics and my poisoners/victims into their respec­tive his­tor­i­cal eras.
POISON cover
LAT: Wow, that’s an impres­sive research list! Did you do all the pho­to research for the book too? Can you tell us a bit about that process?
SA: The first time I did my own image research, many books ago, I was over­whelmed, and total­ly clue­less about how to go about it. Image research is a steep learn­ing curve, but now, many books lat­er, I absolute­ly love that phase of the process. I did a cou­ple of guest posts on Melis­sa Stewart’s blog about image research for stu­dents here, and for pro­fes­sion­al writ­ers here, if peo­ple would like a bit more detail.
LAT: You’ve helped me come up to speed in that area as well, and I’m eter­nal­ly grate­ful for your gen­er­ous advice!
LAT: I think every book teach­es us some­thing new, about the world, about our­selves, or about the craft of writ­ing. What have you learned as a result of writ­ing this book?
SA: I try not to get too polit­i­cal in my books or on social media, but the more research I have done about the hor­rors of poi­sons and envi­ron­men­tal tox­ins peo­ple used to be exposed to, the more hor­ri­fied I have grown by the cur­rent trend in our coun­try to roll back hard-fought reg­u­la­tions for clean air and clean water, and to defang agen­cies such as the FDA and the EPA. When you know the his­to­ry of the way things used to be, you shud­der at what could hap­pen once again.
LAT: I had the same thoughts when I was read­ing your book. I’m glad that myself, and all the oth­er read­ers out there, will have this broad­ened per­spec­tive going forward. 
LAT: What oth­er writ­ers do you look up to and why?
SA: I have so many kidlit writ­ers that I look up to and love, both fic­tion and nonfiction—but this answer would be way too long if I tried to list all of them. So I’ll stick to just a few writ­ers of adult books I admire. Mary Roach is a favorite of mine. I love her sense of humor and her off­beat sci­ence topics—I like to think that our mis­sions are aligned. I love P.G. Wode­house. I love his­to­ri­ans who can write, and write well. It’s like a breath of fresh air when you find a schol­ar­ly, well-researched book that’s also beau­ti­ful­ly writ­ten for a reader’s enjoy­ment, with grace and style and wit.
LAT: What are you work­ing on now?
SA: I’m work­ing on sev­er­al projects right now and I wish there were more hours in the day because I’m so excit­ed about all of them! I have a book about the human/dog rela­tion­ship com­ing out next March with Nation­al Geo­graph­ic, called Dog Days of His­to­ry. And I’m work­ing on a book that’s a col­lec­tion of quirky biogra­phies, as well as a series of biogra­phies for much younger read­ers, and a new Amer­i­can his­to­ry series for upper ele­men­tary kids, which will prob­a­bly be called “What Were They Think­ing?
LAT: Gosh, you’re busy! Is there any­thing you wish I would’ve asked you but didn’t?
SA: You’ve done a darn good job cov­er­ing the bases, Lau­rie. But hmmm. Kids often ask me what my favorite part of my job is. And I joke about how great it is to be able to work at my bed-desk, but hon­est­ly, one of the best parts of this job is when I vis­it schools, and meet the kids I work for. Let’s face it: for a non­fic­tion writer, fic­tion can be stiff com­pe­ti­tion, not to men­tion the myr­i­ad screen-time options vying for kids’ atten­tion. So my goal is to write fas­ci­nat­ing, enter­tain­ing, and accu­rate books that kids choose to read. I want them to see how amaz­ing his­to­ry can be.
LAT: Well said. I feel exact­ly the same way. I’m so glad you could vis­it, Sarah, and thank you for answer­ing all of my questions!


You can find out more about Sarah Albee at her web­site, and be sure to check out POISON: DEADLY DEEDS, PERILOUS PROFESSIONS, AND MURDEROUS MEDICINES!

Author interview with Tara Dairman and book #giveaway!

The Great Hibernation cover
A very hap­py book birth­day to Tara Dair­man and her lat­est mid­dle-grade nov­el, The Great Hiber­na­tion! This sto­ry has mys­tery, pol­i­tics, com­ing of age, sci­ence, and a healthy dose of girl pow­er, and it’s avail­able NOW from Wendy Lamb Books/Penguin Ran­dom House. I loved it, and I high­ly rec­om­mend it!
As a spe­cial treat, Tara agreed to do an inter­view for us today. So, with­out fur­ther ado, let’s hear from Tara!
LAT: What kind of read­er do you think this book will appeal to?
TD: A wide vari­ety, I hope! Fans of my All Four Stars series should enjoy the humor and the food­ie ele­ments that those books share with The Great Hiber­na­tion. But I think that Hiber­na­tion will also draw in read­ers who like mys­tery, zany/madcap adven­ture, and a bit of polit­i­cal con­tent, too. Plus, I just have to say, my mom real­ly likes it. She pret­ty much told me it’s her favorite of all my books. 🙂
LAT: It’s so hard to pick a favorite, but I also real­ly loved this one. How did you first become inter­est­ed in writ­ing The Great Hiber­na­tion? What were your incen­tives for stick­ing with it?
TD: I first got the idea in 2013… from a dream! In the dream, two kids were out in freez­ing open water in a tiny boat, try­ing to flag down a big­ger boat to help them because some­thing had gone ter­ri­bly wrong back on shore in their town. When I woke up, I knew I had to find out who those kids were and what had gone wrong. (And that dream inspired one of my favorite scenes in the whole book.)
LAT: I remem­ber that scene! There are some great details and obser­va­tions in that one, as well as oth­ers. It seems like a ton of research must have gone into this book to get those details right. Can you tell us about that? How was that dif­fer­ent from pre­vi­ous books? Do you think you’ll get to reuse any of that research in future stories?
TD: Work­ing on The Great Hiber­na­tion did give me an oppor­tu­ni­ty to research a lot of fun top­ics, from sheep farm­ing to Thai cui­sine to liv­er func­tion. I was lucky to have some expert beta and sen­si­tiv­i­ty read­ers look at the man­u­script and answer my ques­tions at var­i­ous points to that I could make those details as authen­tic as pos­si­ble. As for the small town of St. Polo­nius-on-the-Fjord (where the book is set), it’s loose­ly inspired by the north­ern coast of Ice­land. I had the plea­sure of trav­el­ing through that area a few years ago, so when I was draft­ing, I did have a sharp pic­ture in my head of what the town and its envi­rons would look like.
TD: I kind of doubt I’ll ever get to reuse any of my research, but if I write anoth­er book in which a sheep needs to go down a stair­case… well, I know now that he can. (With a lit­tle help!)
LAT: Were there any sur­pris­es or stum­bling blocks along the way to the fin­ished draft? How did you end up deal­ing with that?
TD: I strug­gled to get the open­ing chap­ter right for this book. There’s a lot of infor­ma­tion and back­sto­ry to con­vey, plus a lot of char­ac­ters to intro­duce, and of course I didn’t want things to feel info-dumpy. I start­ed over from scratch sev­er­al times—and then, after I sold the book for pub­li­ca­tion, I threw the whole first chap­ter out and rewrote it all over again. Luck­i­ly, my beta read­ers, edi­tors, and I all real­ly loved the final ver­sion, so I got there in the end!
LAT: Oh, I can cer­tain­ly relate to that! Per­sis­tence is the key, right? To that point, though, how do you decide when a book is “done” and ready to send to your agent?
TD: When I lit­er­al­ly can­not fath­om look­ing at it for a sin­gle sec­ond more. 🙂 (That is usu­al­ly after I’ve done at least two major revi­sions on my own based on cri­tique part­ner feed­back, though. My agent nev­er sees my ear­li­est drafts!)
Tara Dairman author photo
LAT: I think every book teach­es us some­thing new, about the world, about our­selves, or about the craft of writ­ing. What have you learned as a result of writ­ing this par­tic­u­lar book?
TD: I’ve learned that, just because a book doesn’t pitch well, that doesn’t mean it’s not going to be a good book. My agent and I orig­i­nal­ly tried to sell this book on pro­pos­al, and the feed­back we got from edi­tors was that they liked the sam­ple chap­ters but thought that the pro­posed plot sound­ed… well, a lit­tle crazy. It turned out I just had to write the whole book for them to see that I could pull the crazy plot off.
LAT: Wow! It sounds like you took quite a leap of faith with this one. (And I’m so glad you did!) Was that your tough­est moment on the path to pub­li­ca­tion or were there oth­ers, and how did you make it over that hurdle?
TD: I’d still say that fin­ish­ing the first draft of my first book (All Four Stars) was the hard­est thing I’ve ever done, because I didn’t know what I was doing. I’d dreamed of being a nov­el­ist since child­hood, but until I actu­al­ly fin­ished writ­ing a book, I didn’t know whether I could do it or not! And that one lit­tle book took me years upon years. Writ­ing “the end,” though—definitely one of the best moments of my life.
LAT: What tricks have you learned for bal­anc­ing your writ­ing time with the demands of keep­ing up with the indus­try, pro­mot­ing exist­ing work, tak­ing care of your home and fam­i­ly, per­son­al recre­ation and self-care, etc.?
TD: Oy vey. I’m still learn­ing! I have bad days and bet­ter days. What I have learned over the last few years is that “bal­ance” is going to look dif­fer­ent depend­ing on the month, the week, the day. There are going to be stretch­es when I’m writ­ing almost every day and real­ly in that cre­ative zone. And there are going to be stretch­es when a book release is loom­ing, or a new baby is get­ting born, and I don’t do any cre­ative work at all for weeks or months. And that’s okay! I’m not a great mul­ti­tasker any­way, so I’d rather real­ly focus on what­ev­er is call­ing to me most in the moment—which is a priv­i­lege that I know not every author can afford.
TD: In short, I guess I’d say that bal­ance has become a long game for me, rather than some­thing I’m able to accom­plish on a dai­ly basis.
LAT: Excel­lent advice. I sus­pect that know­ing it’s a long game is the #1 secret to find­ing that ever-elu­sive “bal­ance.” So, what are you work­ing on right now?
TD: I do have a mid­dle-grade WIP that I’m hop­ing to get back to once The Great Hiber­na­tion is prop­er­ly launched into the world. But I’m also hav­ing a baby in Novem­ber, so once he or she arrives, my focus will like­ly be off writ­ing for at least a few months.
LAT: Con­grat­u­la­tions! I’m def­i­nite­ly look­ing for­ward to hear­ing more about that adven­ture (and see­ing pictures)!! 
LAT: Before I let you go, what do you wish I would’ve asked you that I didn’t, and why?
TD: I wish you’d asked me “What are some of your oth­er favorite recent mid­dle-grade books?” There are SO many good ones out this year! My answer would be:

  • Con­tem­po­rary: Sat­ur­days with Hitch­cock by Ellen Wittlinger
  • Non­fic­tion: Poi­son by Sarah Albee; Two Truths and a Lie: It’s Alive! by Lau­rie Ann Thomp­son and Ammi-Joan Paquette
  • Mys­tery: The World’s Great­est Detec­tive by Car­o­line Carlson
  • Humor: This is Just a Test by Wendy Wan-Long Shang and Made­lyn Rosenberg
  • His­tor­i­cal: Bob­by Lee Clare­mont and the Crim­i­nal Ele­ment by Jean­nie Mob­ley; The Last Grand Adven­ture by Rebec­ca Behrens (com­ing 3/18)
  • Fan­ta­sy: The Changelings and In a Dark Land by Christi­na Soontornvat

TD: I could go on and on, but I’ll stop myself there!
LAT: Thanks for the shout-out for Two Truths and a Lie: It’s Alive!Tara. (I swear, I did NOT put her up to that!) And thank you so much for vis­it­ing today and answer­ing all of my ques­tions. I’ll be rec­om­mend­ing The Great Hiber­na­tion far and wide, and I wish you much con­tin­u­ing suc­cess in ALL of your endeavors! 
Find out more about The Great Hiber­na­tion by Tara Dair­man hereAnd leave a com­ment below for a chance to win your own copy!


UPDATE: The give­away win­ner is Jen­naO! Con­grat­u­la­tions, JennaO!!

How #ChangemakerEd is improving #BacktoSchool

Be a Changemaker cover

I came across an inter­est­ing arti­cle on Medi­um the oth­er day. It talks about “reimag­in­ing edu­ca­tion in this his­toric time of change” and the impor­tance of #Change­mak­erEd, the glob­al move­ment to empow­er young peo­ple to cre­ate a bet­ter world by mas­ter­ing empa­thy and iden­ti­fy­ing as changemakers.
#ChangemakerEd book "Be a Changemaker" coverThis move­ment isn’t new, but it is grow­ing. And as the author of BE A CHANGEMAKER: HOW TO START SOMETHING THAT MATTERS, I could­n’t be hap­pi­er. Through my work with stu­dents and teach­ers based on my book, I have seen it first­hand time and time again. Once stu­dents real­ize they CAN be change­mak­ers, their whole out­look on life changes. Sud­den­ly they see prospects and oppor­tu­ni­ties they could­n’t have even imag­ined before. And it goes far beyond the indi­vid­ual stu­dents them­selves, of course. As it says in the article:

The key fac­tor for suc­cess for every com­mu­ni­ty — be it a com­pa­ny, a city or a coun­try — is the pro­por­tion of its pop­u­la­tion who are change­mak­ers. A col­lec­tive abil­i­ty to address com­plex social prob­lems — and to antic­i­pate future ones — is para­mount to pos­i­tive­ly shap­ing our world.”

#Change­mak­erEd schools and edu­ca­tors are lead­ing the charge to pre­pare today’s young peo­ple for exact­ly that kind of suc­cess by help­ing them gain the knowl­edge, prac­tice the skills, and feel the sense of pur­pose that is nec­es­sary for them to thrive as glob­al cit­i­zens and have a pos­i­tive impact on their com­mu­ni­ties. Along with the core sub­jects, more and more teach­ers are also teach­ing their stu­dents to have empa­thy, be thought­ful, be cre­ative, take action, lead the way, and col­lab­o­rate with oth­ers, while allow­ing them to apply their edu­ca­tion to real-world prob­lems right now.
Inter­est­ed? Read the full arti­cle here to find out more about this impor­tant move­ment, and watch this inspir­ing video about one #Change­mak­erEd high school in Arizona:

 
And, of course, check out BE A CHANGEMAKER for inspi­ra­tion, real-life exam­ples, and tons of prac­ti­cal how-to advice that teens can start putting to use imme­di­ate­ly, whether they have access to #Change­mak­erED in their own school or not!

Review: POISON by Sarah Albee

POISON interior

POISON cover

POISON: DEADLY DEEDS, PERILOUS PROFESSIONS, AND MURDEROUS MEDICINES
by Sarah Albee
Pen­guin Ran­dom House/September 05, 2017
Mid­dle Grade (8–12), 192 pages

Here’s what the pub­lish­er says:

Sci­ence geeks and arm­chair detec­tives will soak up this non-lethal, humor­ous account of the role poi­sons have played in human his­to­ry. Per­fect for STEM enthusiasts!
For cen­turies, peo­ple have been poi­son­ing one another—changing per­son­al lives and the course of empires alike.
From spurned spous­es and rivals, to con­demned pris­on­ers like Socrates, to endan­gered emper­ors like Alexan­der the Great, to mod­ern-day lead­ers like Joseph Stal­in and Yass­er Arafat, poi­son has played a star­ring role in the demise of count­less indi­vid­u­als. And those are just the delib­er­ate poi­son­ings. Med­ical mishaps, greedy “snake oil” sales­men and food con­t­a­m­i­nants, poi­so­nous Pro­hi­bi­tion, and indus­tri­al tox­ins also impact­ed millions.
Part his­to­ry, part chem­istry, part who­dunit, Poi­son: Dead­ly Deeds, Per­ilous Pro­fes­sions, and Mur­der­ous Med­i­cines traces the role poi­sons have played in his­to­ry from antiq­ui­ty to the present and shines a ghoul­ish light on the dead­ly inter­sec­tion of human nature … and Moth­er Nature.

The pro­fes­sion­al review­ers have weighed in favorably:

“[Albee’s] light tone makes this mor­bid, well-researched study a sin­is­ter indul­gence.“—Book­list starred review

A com­pelling, enter­tain­ing, and infor­ma­tive intro­duc­tion to a sin­is­ter aspect of human his­to­ry.” Kirkus Reviews
“There’s plen­ty of mate­r­i­al here to delight fans of [Geor­gia] Bragg’s pop­u­lar How They Croaked.” —The Bul­letin
Ide­al for read­ers, includ­ing reluc­tant ones, who delight in the sci­ence and scare fac­tor of poi­sons or grotesque med­i­cine.” —School Library Journal

And here are my thoughts:
This book is deli­cious­ly dark fun! Sarah Albee’s POISON is the per­fect mix of sci­ence, his­to­ry, mys­tery, and enter­tain­ment, and read­ers of many dif­fer­ent gen­res will be thor­ough­ly engaged by this book. I know I was! From ancient times to today (and beyond!), Albee shows us how poisons–both nat­ur­al and man-made–have affect­ed humans lives and cul­ture. The facts are shock­ing and fas­ci­nat­ing, but bro­ken down in a way that makes them acces­si­ble. There’s also a ton of humor to bal­ance the heavy sub­ject mat­ter, with puns and sar­casm galore, espe­cial­ly in the titles and cap­tions. And all of it is tied togeth­er with a com­pelling design fea­tur­ing side­bars, pull­outs, pho­tos, and illus­tra­tions. There are also some seri­ous non­fic­tion fea­tures, includ­ing a table of con­tents, author’s note, acknowl­edge­ments, notes, select­ed bib­li­og­ra­phy, research guide, index, and more. A high­ly rec­om­mend­ed mid­dle-grade nonfiction!
Here are some inte­ri­or views to give you a bet­ter sense of what you can expect:
POISON interiorPOISON interior 2 POISON interior 3 POISON interior 4POISON interior 5POISON interior 6
And yes, if you’re won­der­ing, this review is per­fect for Labor Day! One of my favorite fea­tures of the book was the “Nice Work if You Can Sur­vive It” side­bars, which told of var­i­ous pro­fes­sions through­out the ages where peo­ple were actu­al­ly poi­soned by their jobs (did you know mad hat­ters were mad because of the chem­i­cals used for felt­ing?). Sober­ing, to say the least. And it made me even more grate­ful for reg­u­la­tions that pro­tect work­ers from unscrupu­lous busi­ness owners!
Be sure to check out Sarah’s oth­er great books, too!
Why'd They Wear That? cover BUGGED cover POOP HAPPENED cover

Photos from the Two Truths and a Lie launch party

Okay, so it’s been more than a month since the launch par­ty for Two Truths and a Lie: It’s Alive!, and this post is _way_ over­due. In my defense, we’ve been hard at work on the sec­ond book in the series, and a writer has to have her pri­or­i­ties, right? Alright, so per­haps there’s no rea­son­able excuse for how neglect­ed my poor blog has been late­ly, but I’m vow­ing to try to do bet­ter going for­ward. And I def­i­nite­ly want to share some of the high­lights from the launch par­ty, so in the bet­ter-late-than-nev­er cat­e­go­ry, here we go! =D
First, the cake! In the flur­ry of activ­i­ty get­ting ready for a launch par­ty, I always for­get to take a pic­ture of the cake at the actu­al event, so this time I took a pic­ture of it in the shop­ping cart when I picked it up. It’s a good thing, too, because this is, sad­ly, the only pic­ture I have of it.
the launch party cake
There were also gluten-free cup­cakes with dec­o­ra­tions that said, “The cake is a lie.” (That’s a geeky gamer ref­er­ence, in case you haven’t heard it before.)
Before we even start­ed the actu­al launch par­ty event, I got to sign a book for a brand-new fan who just hap­pened to be in the store when we start­ed set­ting things up. Fun!
signing for a new fan
After thank­ing every­one who helped make this book pos­si­ble (in broad strokes, because I could go on all day!), I did a lit­tle read­ing from the book. (You can’t have a launch par­ty with­out a read­ing, right?) Since we were in a book­store sur­round­ed by books, I select­ed the sto­ry about book scor­pi­ons and book lice. What are those, you ask? You’ll have to read the book! And then you’ll have to decide if they’re real or not. 😉
a reading from chapter 4
Then we played a game show-style quiz game, using our smart phones. To my immense relief, it worked! Peo­ple could answer using their devices and the sys­tem would let me see who answered the most ques­tions the fastest.
setting up the game
Kevan won the first prize–a Big­foot Air Fresh­en­er for his car. (Is Big­foot a truth or a lie?)
Kevan wins a Bigfoot air freshener
She looks wor­ried! I won­der what was in her bag? Ah, yes… I think it was the Grou­cho Marx Dis­guise Glass­es (so she can fake her identity).
what will she win?
Dan was so excit­ed to see what he won that he ripped open the bag and sent his prize fly­ing halfway across the store! For­tu­nate­ly, it did­n’t hit any­one. If I recall cor­rect­ly, he got the Enchant­ed Uni­corn Ban­dages. (Are uni­corns real?)
Dan launched his launch party prize
This young guest was clear­ly thrilled to win the Glow-in-the-Dark Jel­ly­fish Orna­ment! (It’s as close as I could get to a Pacif­ic North­west tree octo­pus (see chap­ter 5) or the Praya dubia (chap­ter 6).
winner of the glow-in-the-dark jellyfish
What did Lau­ra Moe win? Was it the Dr. McPhee’s Snake Oil Soap? I think so!
what did Laura win?
And, final­ly, the grand prize win­ner… Alan won his very own Mike the Head­less Chick­en (see chap­ter 5)! For­tu­nate­ly, this one is just plas­tic and does­n’t require food and water through an eye dropper.
Alan with Mike the Headless Chicken
It was a great launch par­ty and such a mem­o­rable day. Thank you again to every­one who helped make this book hap­pen, to Secret Gar­den Book Shop for host­ing my launch par­ty yet again, to Cur­tis Man­ley for catch­ing all of these fan­tas­tic pho­tos for me (except the cake in the shop­ping cart, of course), and to every­one who came to the event. I love being part of such a sup­port­ive com­mu­ni­ty of writ­ers, book­sellers, and readers! 💙

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