Introducing Loralee Leavitt and CANDY EXPERIMENTS

Facts First! Nonfiction Monday

Today I’m thrilled to intro­duce a long­time friend of mine and fel­low non­fic­tion writer,  Loralee Leav­itt.  I first met Loralee many years ago through an online cri­tique group put togeth­er by SCBWI West­ern Wash­ing­ton. We were an assort­ed mix of begin­ning writ­ers, writ­ing every­thing from pic­ture books to nov­els, both fic­tion and non­fic­tion. The group even­tu­al­ly dis­solved, but Loralee and I still run into one anoth­er from time to time at in-per­son SCBWI events, and we always enjoy keep­ing up with one anoth­er’s careers. Now, I could­n’t be more excit­ed to help Loralee launch her excit­ing new book, CANDY EXPERIMENTS!

Can­dy Exper­i­ments by Loralee Leavitt
Andrews McMeel Publishing
Jan­u­ary 1, 2013
160 pages

LT: Wel­come, Loralee, and con­grat­u­la­tions! How did you get start­ed with sci­ence exper­i­ments using can­dy? What was your inspiration?
LL: It actu­al­ly start­ed with my four-year-old daugh­ter, who one day after Hal­loween asked to put her Nerds in water. The next time she asked, I real­ized it was a chance to get rid of all the Hal­loween can­dy I hadn’t want­ed my chil­dren to eat. We cov­ered the table in bowls of water and start­ed throw­ing in can­dy to see what would hap­pen. Soon we dis­cov­ered crazy things, like the float­ing M&M m’s or lol­lipop sticks that unrolled when they were wet.
LT: How did you get from that ini­tial inspi­ra­tion to devel­op­ing the actu­al exper­i­ments in the book?
LL: When we start­ed doing can­dy exper­i­ments, I saw that we could teach real sci­ence with them, and drew from my own sci­ence back­ground to cre­ate exper­i­ments. I also asked oth­er experts for ideas, and read books like The Sci­ence of Sug­ar Con­fec­tionery, in which I learned things that led to new exper­i­ments. Oth­er exper­i­ments came straight from what my chil­dren were try­ing: for instance, my son’s attempts to sink a marsh­mal­low by jam­ming M&Ms into it became one of my den­si­ty lessons.
LT: How much time did you spend research­ing over­all, and how long did it take to write the book?
LL: I spent about two years devel­op­ing and research­ing exper­i­ments and writ­ing rough drafts. (This was an on-and-off process, since I was also very busy rais­ing chil­dren.) After I found my pub­lish­er, I had about five more months to fin­ish writ­ing and research­ing, check my sci­ence, and take photos.
LT: The design of the book, the pho­tos and lay­out, is gor­geous. Did you sup­ply the pho­tos, too? Can you tell us about that process?
LL: After the pub­lish­er saw the pho­tos I’d tak­en for my web­site and mag­a­zine arti­cles, they decid­ed I’d be able to pro­vide pho­tos for the book. Luck­i­ly my hus­band is an excel­lent pho­tog­ra­ph­er, and was able both to take some pho­tos and teach me what I need­ed to know. I’m also grate­ful to a friend of mine who brought a pro­fes­sion­al pho­tog­ra­ph­er to my home to give me some tips, such as using a roll of white paper to cre­ate a smooth background.
LL: To take most of the pho­tos, I set every­thing up on my kitchen table by a north-fac­ing win­dow, and set the cam­era on a tri­pod so I could take long expo­sures for good light­ing. Oth­er pho­tos were more chal­leng­ing, like microwav­ing a marsh­mal­low on a paper back­ground and open­ing the microwave fast enough to snap a pho­to before the marsh­mal­low col­lapsed. I assigned one of the hard­est pho­tos to my par­ents: a series of pic­tures of a Mentos/Diet Coke geyser, which they took in a flood­it back­yard one dark sum­mer night.
LT: Fun! Dur­ing your research, did any­thing sur­prise you, catch you off guard, or make you change your planned course for the book?
LL: The book is full of exper­i­ments that sur­prised us, many of them com­ing from things we tried that had crazy results. I had no idea when I put gum­mi worms in water that they’d absorb enough water to dou­ble in length, or that opaque Smar­ties would melt into clear pud­dles, or that con­ver­sa­tion hearts would bob up and down in soda.
LT: What was the hard­est part of the research and/or writ­ing for you? How did you deal with that?
LL: One of the hard­est parts was find­ing answers to real­ly weird ques­tions. For instance, I asked sev­er­al experts why, when I dropped M&M’s into water and they dis­solved, the result­ing pools of col­or didn’t mix togeth­er on their own. At last I found a sim­i­lar exper­i­ment on the ACS web­site and con­tact­ed them to see if they could pro­vide me with a good expla­na­tion. And they did.
LT: What kind of read­er do you think CANDY EXPERIMENTS will appeal to?
LL: I tar­get­ed the book at 7- to 10-year-olds, but old­er and younger peo­ple should enjoy it as well. Even adults love learn­ing that the m’s from M&Ms float in water.
LT: I think every book teach­es us some­thing new: about the world, about our­selves, or about the craft of writ­ing. What have you learned as a result of writ­ing this book? What sur­prised you the most dur­ing the process?
LL: I loved learn­ing about the ingre­di­ents and sci­ence of can­dy. For instance, I learned that taffy pulling is what makes taffy soft by incor­po­rat­ing air bubbles–without the air bub­bles, the taffy would be as hard as lollipops.
LL: I also had to think hard about what made these exper­i­ments so inter­est­ing to me, and try to share my amaze­ment with my readers.
LT: I love that answer! I’ve found that focus­ing on what makes the sub­ject so inter­est­ing to me is the key to my suc­cess­ful non­fic­tion writ­ing as well. And it’s not near­ly as easy to do as it sounds! Are there any oth­er tips you would like to share with aspir­ing children’s book writ­ers, espe­cial­ly those writ­ing non­fic­tion for kids?
LL: Write about what you love. For me, writ­ing about the sci­ence of can­dy cap­tured my sense of child­like discovery/explored things I’d loved since I was a child: sci­ence, writ­ing, can­dy, and fam­i­ly. I was excit­ed to share my dis­cov­er­ies with oth­ers. Also, I spent so much time on this book that I couldn’t have stuck with it if I wasn’t real­ly interested.
LT: That’s def­i­nite­ly good advice. What are you work­ing on now?
LL: Right now, I’m most­ly work­ing on pub­lic­i­ty for my book, arrang­ing reviews, guest blog posts, and book sign­ings. I’m fin­ish­ing up an ebook about car trips for Familius.com, since every­body always asks me how we man­age our kids on long dri­ving trips. I’m col­lect­ing more can­dy ideas in case I get the oppor­tu­ni­ty to do anoth­er book, and I have a his­tor­i­cal nov­el that I’d like to pol­ish up and submit.
LT: Good luck with those! What would you most like peo­ple to know about you?
LL: When I became a moth­er, I wor­ried that I’d have to put my writ­ing aside. Lit­tle did I know that my kids would lead me to my big break! I’m so thank­ful for the way that my fam­i­ly, my love for sci­ence, and my love of writ­ing have com­bined to make this project a success.
LT: It is a great sto­ry, and a good reminder to just go with the flow some­times. Thanks so much for stop­ping by, Loralee, and much suc­cess with your fan­tas­tic new book!
Loralee Leav­itt destroys can­dy for the sake of sci­ence at www.candyexperiments.com. Her new book, CANDY EXPERIMENTS, con­tains dozens of amaz­ing exper­i­ments includ­ing cre­at­ing giant gum­mi worms, turn­ing M&Ms into comets, and grow­ing can­dy crystals. 
Facts First! Nonfiction Monday

Cybils nonfiction picture book roundup #2

My fel­low judges and I are still hard at work try­ing to final­ize our round one short­list for the Cybils non­fic­tion pic­ture book cat­e­go­ry. It’s a dif­fi­cult task because there are so many great books this year! Here are some reviews of some of my per­son­al favorites (Note: I had many, MANY favorites this year). I enjoyed and would rec­om­mend all of these.
 

LITTLE DOG LOST : THE TRUE STORY OF A BRAVE DOG NAMED BALTIC by Môni­ca Car­ne­si (Nan­cy Paulsen Books/Penguin)
This is the true sto­ry of a name­less dog seen float­ing on a piece of ice down a riv­er in Poland. Ini­tial attempts to save the dog fail, and he is washed out to sea. For­tu­nate­ly, the crew onboard a research ves­sel sees him and final­ly suc­ceeds in res­cu­ing the dog and nurs­ing him back to health. The sto­ry is told in sim­ple but engag­ing text with delight­ful illus­tra­tions. I think kids and dog lovers of all ages will love this book. I know I did!
 

NORTH : THE AMAZING STORY OF ARCTIC MIGRATION by Nick Dow­son, illus­trat­ed by Patrick Ben­son (Can­dlewick)
This beau­ti­ful book is firm­ly on my list of all-time favorite non­fic­tion pic­ture books. Rather than talk about why ani­mals migrate south for the win­ter, this book looks at the flip side: why and how they come back from all over the world to live in the Arc­tic the rest of year. It presents a wide vari­ety of ani­mals, includ­ing many dif­fer­ent kinds of land mam­mals, birds, whales, and fish. The art­work is stun­ning, the text is both fac­tu­al and lyri­cal, and the lay­out max­i­mizes the effect on each on every page. This is about as per­fect a nature book as I could imag­ine. High­ly recommended!
 

THERE GOES TED WILLIAMS: THE GREATEST HITTER WHO EVER LIVED by Matt Tavares (Can­dlewick)
This is anoth­er beau­ti­ful book by Can­dlewick. What I enjoyed most about this book is that the love the author has for his sub­ject comes through on every page, in both the text and the illus­tra­tions. Even if you’re not a big base­ball fan (which, admit­ted­ly, I’m not), there is still a lot to love about this book, espe­cial­ly Ted Williams’ admirable per­se­ver­ance and ded­i­ca­tion to his sport. The author’s note explains that Williams wasn’t per­fect, which makes him even more human. There’s also a bib­li­og­ra­phy and, for true base­ball fans, a detailed table of Williams’ career stats.
 

EGGS 1, 2, 3: WHO WILL THE BABIES BE? by Janet Half­mann, illus­trat­ed by Bet­sy Thomp­son (Blue Apple)
I thought this was one of the stand-out books for younger kids, teach­ing num­ber recog­ni­tion and count­ing as well as intro­duc­ing a vari­ety of dif­fer­ent ani­mals that hatch from eggs and what those eggs look like. The text is appro­pri­ate­ly sim­ple but descrip­tive and inter­est­ing, with the repeat­ed ques­tion, “Who will the babies be?” and a fold-out page pro­vid­ing the answer for each num­ber 1–10. The col­lage art­work gives the pages a rich, three-dimen­sion­al look and adds tons of visu­al inter­est. My only com­plaint with this book is that I don’t think the num­bers match how many eggs the ani­mals might real­ly have (nine frog eggs, for exam­ple), so it’s a bit mis­lead­ing in that regard, but it does such a won­der­ful job of achiev­ing its oth­er goals that I’m will­ing to let that detail slide.
 

A LEAF CAN BE… by Lau­ra Pur­die Salas, illus­trat­ed by Vio­le­ta Dabi­ja (Millbrook/Lerner)
This is a decep­tive­ly sim­ple, but real­ly quite inge­nious, rhyming poem about all of the dif­fer­ent things a leaf can do or be used for through­out the year. The glow­ing illus­tra­tions pro­vide the per­fect accom­pa­ni­ment as well as an expla­na­tion of each line of the poem, plus there’s a sec­tion at the end of the book with even more details. I think young kids will love this book and it will open their eyes to a whole new appre­ci­a­tion of the nature all around them. Well done!
 
Dis­claimer: All of these books were obtained from my amaz­ing local pub­lic library system. 

2012 Cybils Nonfiction Picture Book report #1

Phew! Now that I got my revi­sion done and sent in, I can get back to read­ing Cybils nom­i­nees in the non­fic­tion pic­ture book cat­e­go­ry that I am judg­ing. Last year I wrote up longer reviews of only a few of the Cybils nom­i­nees. This year I’m going to try to write many more, but short­er, reviews. Rather than offer com­pre­hen­sive reviews, the goal will be to cap­ture my ini­tial impres­sions and thoughts. So, here comes the first batch!
 

BALLOONS OVER BROADWAY by Melis­sa Sweet (Houghton Mifflin)
This is a won­der­ful book that should appeal to all kinds of kids, across a wide age range, and with many dif­fer­ent inter­ests. The art­work is stun­ning. The sto­ry of Tony Sarg and the begin­nings of the Macy’s Thanks­giv­ing Day Parade pup­pets is one that need­ed to be told, and this book tells it art­ful­ly, illus­trat­ing the man’s cre­ativ­i­ty as well as hard work and ded­i­ca­tion. Enter­tain­ing, inspir­ing, and educational—all rolled into one beau­ti­ful package.
 

BROTHERS AT BAT by Audrey Ver­nick (Clar­i­on)
This is the true sto­ry of the Acer­ra fam­i­ly and their 12-mem­ber all-broth­er base­ball team. Base­ball fans espe­cial­ly will love this heart­felt telling of the family’s tra­vails and tri­umphs, both on the field and off, but the expert­ly told fam­i­ly sto­ry offers some­thing for every­one. The text and art work togeth­er beau­ti­ful­ly to bring the his­tor­i­cal peri­od to life.
 

A PLACE FOR BATS by Melis­sa Stew­art (Peachtree)
Okay, I have to admit that I have a bit of a bat pho­bia. On a ratio­nal lev­el, I know they’re help­ful and I’m glad they’re out there, but I real­ly don’t like hav­ing to think about them. Stew­art does an excel­lent job of rais­ing aware­ness about the impor­tance of bats as well as offer­ing ways peo­ple can help them thrive. The fas­ci­nat­ing illus­tra­tions are real­is­tic and not “cute-ified,” which did make me squirm a lit­tle, but Stewart’s text com­pen­sates by cre­at­ing sym­pa­thy for the crea­tures. Even as an adult read­er, I learned a lot about bats. This book would make a good sci­ence read-aloud for preschool and ear­ly ele­men­tary grades. And maybe those kids won’t devel­op an irra­tional bat pho­bia like mine!
 

ANNIE AND HELEN by Deb­o­rah Hop­kin­son (Schwartz and Wade)
I love Deb­o­rah Hopkinson’s work, and the sto­ry of Helen Keller and her teacher, Annie Sul­li­van, has always fas­ci­nat­ed me, so I was excit­ed to see this one in the nom­i­na­tion list. It didn’t dis­ap­point. Told spar­ing­ly and through pri­ma­ry sources, it focus­es on the ear­ly rela­tion­ship between the two women and on Sullivan’s strug­gles to break through Keller’s bar­ri­ers. The art adds a beau­ti­ful, his­tor­i­cal feel to the text, and the book ends on a tri­umphant note with Keller’s first writ­ten let­ter home.
 

BON APPETIT! by Jessie Hart­land (Schwartz and Wade)
This is a deli­cious biog­ra­phy of Julia Child! Although a tad over­whelm­ing and busy at first glance, the art and text quick­ly draw read­ers in and hook them, and read­ing it becomes a reward­ing adven­ture. Hart­land uses ener­gy, humor, and com­pas­sion to fol­low Child’s life sto­ry from child­hood on in a style that mim­ics her per­son­al­i­ty and how she lived her life. Jam-packed with facts and enter­tain­ing details, this longer pic­ture book with fas­ci­nate old­er pic­ture-book readers.

It’s time to get busy

Cybils 2012 logo

I’ve been work­ing like crazy late­ly on a revi­sion for the edi­tor of my first book. I’m simul­ta­ne­ous­ly blown by away by how much work she’s ask­ing me to do AND by how much bet­ter it’s going to make the book. Most of her com­ments feel so utter­ly, obvi­ous­ly right–AFTER I’ve read them–that I’m left won­der­ing why I did­n’t think of them myself.  (I’m also left won­der­ing why she ever bought the book in the first place, but in that way lies mad­ness, so let’s not go there, okay?) I thought I had giv­en every­thing I had to this book, thought there was noth­ing more I could do, but now I real­ize how lazy I’d actu­al­ly been. A few days ago, Mitali Perkins wrote about being grate­ful for tra­di­tion­al edi­tors. I could­n’t agree more. The process is not only mak­ing a bet­ter book, but mak­ing a bet­ter writer. That’s not to say there has­n’t been some gnash­ing of teeth, bang­ing of head on desk, and wine and choco­late binges, of course. And I’ll be over-the-moon hap­py when I think I’m final­ly done. But it’s get­ting there. I think I can see what it might one day be, and it sure feels good.
Cybils 2012 logo
As soon as I wrap up the big revi­sion I’m look­ing for­ward to ful­ly jump­ing into two more excit­ing activ­i­ties! First, I’m thrilled to be judg­ing the Non-Fic­tion Pic­ture Books cat­e­go­ry of the Cybils again this year. We have just over 100 nom­i­na­tions to read. I’ve had a slow start giv­en the revi­sion, but hope to be pick­ing up steam soon. I’m max­ing out my check-out lim­it at the library and build­ing huge stacks of beau­ti­ful books to indulge in. What could be better?
 

And, I’m also attempt­ing to do agency-sis­ter Tara Lazar’s Pic­ture Book Idea Month (or PiBoId­Mo). The goal is 30 pic­ture-book ideas in the 30 days of Novem­ber. I had a great big bunch of them right before the chal­lenge offi­cial­ly start­ed, and today, on the first offi­cial day, I had two more (and I even ful­ly draft­ed out one of them–WOOT!). This is a fun chal­lenge with a ton of sup­port and cama­raderie for all lev­els, and I can’t wait to see what else comes out of it.

The Call


In case you missed it, I made my debut post over on the Emu’s Debuts blog ear­li­er this week! Emu’s Debuts is a group blog main­tained by debut authors rep­re­sent­ed by the Erin Mur­phy Lit­er­ary Agency (get it? E. Mu.?) We blog about that neb­u­lous, murky area between an author’s first book offer to the pub­li­ca­tion of that debut book: Con­tracts! Revi­sions! Reviews! Oh my! It may seem like it’s easy once you’ve signed on the dot­ted line, but it’s a whole new set of prob­lems, anx­i­eties, and rewards.
Any­way, it’s tra­di­tion on Emu’s Debuts for the intro­duc­tion post to be about “the Call.” So, please click here to read how my first book deal came to be.
Have you got­ten “the Call” yet? If so, what was it like for you? If not, what do you imag­ine it will be like when it final­ly hap­pens? Let me know in the comments!

Book launch for Kim Baker’s PICKLE!

table full of food

Every book launch par­ty I’ve ever been to has been a ton of fun. If that’s not enough rea­son to go to as many as you can, how about just just sup­port­ing our local authors and illus­tra­tors? You want them to come out and sup­port you on your big day, don’t you? If you did­n’t make it to Kim Bak­er’s PICKLE launch par­ty at Secret Gar­den Books last week, here’s just a taste of what you missed:
There was food!

table full of food
Can you spot all of the pranks here?

 
There were friends!
crowded bookstore
How many faces of SCBWI do you rec­og­nize here?

 
There were prizes!
Kim holding prizes
I believe those are the bro­ken-glass stick­ers and the trick pen­cils. Lat­er, I won an explod­ing can of snakes!

 
There were books!
Kim even read a scene from PICKLE to us.
(I think I snort­ed out loud.)

 
There were even pickles!
Wait a minute, I don’t think those are real­ly pickles.

 
But don’t wor­ry, if you did­n’t make it to this book launch, there will be anoth­er one com­ing soon to a book­store near you. Make sure you get out there and see what all the fun is about! And if you still need to pick up a PICKLE, you can always click here:

 Shop Indie Bookstores

Signed, sealed, delivered… S&W, I’m yours!

signing the contract

A few days ago I signed  (with my super-fan­cy pen–thanks Joni Sensel!) the offi­cial con­tract for my first book, to be pub­lished by Schwartz & Wade at Ran­dom House, and dropped it in the mail­box. Woohoo! What a fan­tas­tic feeling.
signing the contract
Armed with the Authors Guild’s Mod­el Trade Book Con­tract & Guide, I sat down to pick my way through the legalese if only to know that I had done my due dili­gence. Thanks to my super-awe­some agent, Ammi-Joan Paque­tte, and the equal­ly awe­some Erin Mur­phy, there real­ly was­n’t any­thing left for me to nego­ti­ate, although Joan did read and reply to a rather long list of prob­a­bly most­ly stu­pid ques­tions from me. The rea­sons why I’m absolute­ly thrilled and relieved to have these won­der­ful peo­ple on my side just keep mounting.
There was only minor stick­ing point: what to call MYSELF! I know, that does­n’t sound very hard, does it? Well, it was for me. There are just too many of us Lau­rie Thomp­sons in the world. How could I stand out and be unique, with­out con­fus­ing the issue one way or the oth­er? Well, after run­ning in cir­cles for a few days, we (yes, I even made poor Joan weigh in on this one) went for adding my mid­dle name, Ann, to the mix. Lau­rie Ann Thomp­son. Excit­ing, huh? I know, it real­ly should­n’t have been that hard. Oy.

My first studio recording

Laurie giving thumbs up at the studio recording

My love­ly and tal­ent­ed friend Tina Hog­gatt recent­ly put out a call for par­tic­i­pants for an art projects she is work­ing on called Sto­ry Chairs. Basi­cal­ly, there are these super cool-look­ing chairs that she helped design that have speak­ers in the wings and auto­mat­i­cal­ly play sto­ries when you sit in them. I sub­mit­ted one of my own sto­ries, Inva­sive Species, and she took it! So, last week I had the expe­ri­ence of read­ing it and being record­ed and edit­ed on-the-spot at Jack Straw Pro­duc­tions. Wow! How cool is that?

Laurie giving thumbs up at the studio recording
Here I am giv­ing a thumbs up that we’re ready to go. The amaz­ing Mo is at the controls.

I also has the great hon­or of read­ing a deeply mov­ing true sto­ry by anoth­er friend and agency sis­ter, Audrey Ver­nick. I’d just met Audrey for the first time a few weeks ear­li­er at the EMLA client retreat in Port Lud­low, so it was espe­cial­ly poignant for me to read her beau­ti­ful, heart­felt work. I hope I did it justice!
Here’s me read­ing inside the studio.

Thank you Tina and Audrey for one fun and very mem­o­rable day!
 

My treadmill desk office setup

TrekDesk straight-ahead view

I’ve been singing the prais­es of my new tread­mill desk set­up on Twit­ter recent­ly. My first full week in action, I noticed:

  • I logged 23 miles, with­out even think­ing about it. Wow!
  • I noticed great­ly improved focus and concentration.
  • I felt much more ener­getic, both while on the tread­mill and off. No more after­noon ener­gy slump!
  • My aching shoul­der and numb left arm (due to a bulging disk and pinched nerve in my neck) vir­tu­al­ly stopped their hurt­ing and tin­gling. Pain relief was an unex­pect­ed, but much appre­ci­at­ed, bonus.
  • Last but not least, walk-danc­ing to a great song on Pan­do­ra is much more fun (and bet­ter exer­cise) than chair-danc­ing! (I’m thank­ful I work at home, though, as this could be major­ly humil­i­at­ing in a more pub­lic space.)

Coin­ci­den­tal­ly (or not? maybe it was prompt­ed by my enthu­si­as­tic Tweets), a friend post­ed a link to Arthur Slade’s hilar­i­ous and inspir­ing post about his tread­mill desk set­up. Who knew there’s a whole move­ment out there? Thanks for unit­ing the Tread Heads, Arthur!
Any­way, a few of you have asked what my set­up is. Not being as handy, patient, or thrifty as Arthur and oth­ers are, I splurged for the instant-up store-bought solu­tion made by the good peo­ple at TrekDesk and put it on top of a Pro-Form 505 CST Tread­mill. It was super easy to assem­ble and set up. Here’s a look at the result:
TrekDesk straight-ahead view
The TrekDesk comes with a stur­dy met­al doc­u­ment hold­er, which serves as a lap­top hold­er in my set­up (above, on right). Then, I added a Plu­gable USB 2.0 Dock­ing Client and an extra mon­i­tor, rotat­ed to por­trait mode so I can see a whole man­u­script page at once, or a whole web page, or what­ev­er. I can’t image work­ing with­out a dual-mon­i­tor set­up, and the dock­ing client also allows me to grab my lap­top and go and come back again with­out deal­ing with tons of plugs, cables, and cords first.
TrekDesk treadmill desk side view
This all takes up quite bit of space, unfor­tu­nate­ly, so I had to move out of my tiny guest-room/of­fice and into the fam­i­ly room, which means head­phones are a must now that the kids are out of school for the sum­mer. And it means we need a new, small­er couch as the ancient behe­moth no longer fits. Darn.
So, I still have a few adjust­ments to make to the room, but I am lov­ing the desk itself and the new work­ing expe­ri­ence that comes from it.
I’d love to hear about your expe­ri­ences with or ques­tions about tread­mill desks. Does it, or would it, work for you? Why or why not?

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