Unpublished writing

A very hap­py book birth­day to Tara Dair­man and her lat­est mid­dle-grade nov­el, The Great Hiber­na­tion! This sto­ry has mys­tery, pol­i­tics, com­ing of age, sci­ence, and a healthy dose of girl pow­er, and it’s avail­able NOW from Wendy Lamb Books/Penguin Ran­dom House. I loved it, and I high­ly rec­om­mend it!
As a spe­cial treat, Tara agreed to do an inter­view for us today. So, with­out fur­ther ado, let’s hear from Tara!
LAT: What kind of read­er do you think this book will appeal to?
TD: A wide vari­ety, I hope! Fans of my All Four Stars series should enjoy the humor and the food­ie ele­ments that those books share with The Great Hiber­na­tion. But I think that Hiber­na­tion will also draw in read­ers who like mys­tery, zany/madcap adven­ture, and a bit of polit­i­cal con­tent, too. Plus, I just have to say, my mom real­ly likes it. She pret­ty much told me it’s her favorite of all my books. 🙂
LAT: It’s so hard to pick a favorite, but I also real­ly loved this one. How did you first become inter­est­ed in writ­ing The Great Hiber­na­tion? What were your incen­tives for stick­ing with it?
TD: I first got the idea in 2013… from a dream! In the dream, two kids were out in freez­ing open water in a tiny boat, try­ing to flag down a big­ger boat to help them because some­thing had gone ter­ri­bly wrong back on shore in their town. When I woke up, I knew I had to find out who those kids were and what had gone wrong. (And that dream inspired one of my favorite scenes in the whole book.)
LAT: I remem­ber that scene! There are some great details and obser­va­tions in that one, as well as oth­ers. It seems like a ton of research must have gone into this book to get those details right. Can you tell us about that? How was that dif­fer­ent from pre­vi­ous books? Do you think you’ll get to reuse any of that research in future stories?
TD: Work­ing on The Great Hiber­na­tion did give me an oppor­tu­ni­ty to research a lot of fun top­ics, from sheep farm­ing to Thai cui­sine to liv­er func­tion. I was lucky to have some expert beta and sen­si­tiv­i­ty read­ers look at the man­u­script and answer my ques­tions at var­i­ous points to that I could make those details as authen­tic as pos­si­ble. As for the small town of St. Polo­nius-on-the-Fjord (where the book is set), it’s loose­ly inspired by the north­ern coast of Ice­land. I had the plea­sure of trav­el­ing through that area a few years ago, so when I was draft­ing, I did have a sharp pic­ture in my head of what the town and its envi­rons would look like.
TD: I kind of doubt I’ll ever get to reuse any of my research, but if I write anoth­er book in which a sheep needs to go down a stair­case… well, I know now that he can. (With a lit­tle help!)
LAT: Were there any sur­pris­es or stum­bling blocks along the way to the fin­ished draft? How did you end up deal­ing with that?
TD: I strug­gled to get the open­ing chap­ter right for this book. There’s a lot of infor­ma­tion and back­sto­ry to con­vey, plus a lot of char­ac­ters to intro­duce, and of course I didn’t want things to feel info-dumpy. I start­ed over from scratch sev­er­al times—and then, after I sold the book for pub­li­ca­tion, I threw the whole first chap­ter out and rewrote it all over again. Luck­i­ly, my beta read­ers, edi­tors, and I all real­ly loved the final ver­sion, so I got there in the end!
LAT: Oh, I can cer­tain­ly relate to that! Per­sis­tence is the key, right? To that point, though, how do you decide when a book is “done” and ready to send to your agent?
TD: When I lit­er­al­ly can­not fath­om look­ing at it for a sin­gle sec­ond more. 🙂 (That is usu­al­ly after I’ve done at least two major revi­sions on my own based on cri­tique part­ner feed­back, though. My agent nev­er sees my ear­li­est drafts!)

LAT: I think every book teach­es us some­thing new, about the world, about our­selves, or about the craft of writ­ing. What have you learned as a result of writ­ing this par­tic­u­lar book?
TD: I’ve learned that, just because a book doesn’t pitch well, that doesn’t mean it’s not going to be a good book. My agent and I orig­i­nal­ly tried to sell this book on pro­pos­al, and the feed­back we got from edi­tors was that they liked the sam­ple chap­ters but thought that the pro­posed plot sound­ed… well, a lit­tle crazy. It turned out I just had to write the whole book for them to see that I could pull the crazy plot off.
LAT: Wow! It sounds like you took quite a leap of faith with this one. (And I’m so glad you did!) Was that your tough­est moment on the path to pub­li­ca­tion or were there oth­ers, and how did you make it over that hurdle?
TD: I’d still say that fin­ish­ing the first draft of my first book (All Four Stars) was the hard­est thing I’ve ever done, because I didn’t know what I was doing. I’d dreamed of being a nov­el­ist since child­hood, but until I actu­al­ly fin­ished writ­ing a book, I didn’t know whether I could do it or not! And that one lit­tle book took me years upon years. Writ­ing “the end,” though—definitely one of the best moments of my life.
LAT: What tricks have you learned for bal­anc­ing your writ­ing time with the demands of keep­ing up with the indus­try, pro­mot­ing exist­ing work, tak­ing care of your home and fam­i­ly, per­son­al recre­ation and self-care, etc.?
TD: Oy vey. I’m still learn­ing! I have bad days and bet­ter days. What I have learned over the last few years is that “bal­ance” is going to look dif­fer­ent depend­ing on the month, the week, the day. There are going to be stretch­es when I’m writ­ing almost every day and real­ly in that cre­ative zone. And there are going to be stretch­es when a book release is loom­ing, or a new baby is get­ting born, and I don’t do any cre­ative work at all for weeks or months. And that’s okay! I’m not a great mul­ti­tasker any­way, so I’d rather real­ly focus on what­ev­er is call­ing to me most in the moment—which is a priv­i­lege that I know not every author can afford.
TD: In short, I guess I’d say that bal­ance has become a long game for me, rather than some­thing I’m able to accom­plish on a dai­ly basis.
LAT: Excel­lent advice. I sus­pect that know­ing it’s a long game is the #1 secret to find­ing that ever-elu­sive “bal­ance.” So, what are you work­ing on right now?
TD: I do have a mid­dle-grade WIP that I’m hop­ing to get back to once The Great Hiber­na­tion is prop­er­ly launched into the world. But I’m also hav­ing a baby in Novem­ber, so once he or she arrives, my focus will like­ly be off writ­ing for at least a few months.
LAT: Con­grat­u­la­tions! I’m def­i­nite­ly look­ing for­ward to hear­ing more about that adven­ture (and see­ing pictures)!! 
LAT: Before I let you go, what do you wish I would’ve asked you that I didn’t, and why?
TD: I wish you’d asked me “What are some of your oth­er favorite recent mid­dle-grade books?” There are SO many good ones out this year! My answer would be:

• Con­tem­po­rary: Sat­ur­days with Hitch­cock by Ellen Wittlinger
• Non­fic­tion: Poi­son by Sarah Albee; Two Truths and a Lie: It’s Alive! by Lau­rie Ann Thomp­son and Ammi-Joan Paquette
• Mys­tery: The World’s Great­est Detec­tive by Car­o­line Carlson
• Humor: This is Just a Test by Wendy Wan-Long Shang and Made­lyn Rosenberg
• His­tor­i­cal: Bob­by Lee Clare­mont and the Crim­i­nal Ele­ment by Jean­nie Mob­ley; The Last Grand Adven­ture by Rebec­ca Behrens (com­ing 3/18)
• Fan­ta­sy: The Changelings and In a Dark Land by Christi­na Soontornvat

TD: I could go on and on, but I’ll stop myself there!
LAT: Thanks for the shout-out for Two Truths and a Lie: It’s Alive!, Tara. (I swear, I did NOT put her up to that!) And thank you so much for vis­it­ing today and answer­ing all of my ques­tions. I’ll be rec­om­mend­ing The Great Hiber­na­tion far and wide, and I wish you much con­tin­u­ing suc­cess in ALL of your endeavors! 
Find out more about The Great Hiber­na­tion by Tara Dair­man here. And leave a com­ment below for a chance to win your own copy!


UPDATE: The give­away win­ner is Jen­naO! Con­grat­u­la­tions, JennaO!!