<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Drawing Lines in Nonfiction: “Old” vs. “New”	</title>
	<atom:link href="https://lauriethompson.com/2011/03/10/drawing-lines-nonfiction/feed/" rel="self" type="application/rss+xml" />
	<link>https://lauriethompson.com/2011/03/10/drawing-lines-nonfiction/</link>
	<description>Inspiring and empowering young readers</description>
	<lastBuildDate>Sat, 05 Dec 2020 16:52:25 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	
	<item>
		<title>
		By: Joni		</title>
		<link>https://lauriethompson.com/2011/03/10/drawing-lines-nonfiction/#comment-82</link>

		<dc:creator><![CDATA[Joni]]></dc:creator>
		<pubDate>Sat, 12 Mar 2011 07:10:40 +0000</pubDate>
		<guid isPermaLink="false">https://lauriethompson.com/?p=685#comment-82</guid>

					<description><![CDATA[Ah, interesting discussion that makes me think of our conversation last weekend about the chakra ms. Fiction? (Not for a Hindu, maybe.) Nonfiction? (Not for anyone of a traditional medical bent.) Speculative nonfiction? Potentially. I think it could be any of the above, depending on how it was treated.
Anyway, this might be a good discussion topic for our nonfiction master class, huh?]]></description>
			<content:encoded><![CDATA[<p>Ah, interesting discussion that makes me think of our conversation last weekend about the chakra ms. Fiction? (Not for a Hindu, maybe.) Nonfiction? (Not for anyone of a traditional medical bent.) Speculative nonfiction? Potentially. I think it could be any of the above, depending on how it was treated.<br>
Anyway, this might be a good discussion topic for our nonfiction master class, huh?</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Laurie Thompson		</title>
		<link>https://lauriethompson.com/2011/03/10/drawing-lines-nonfiction/#comment-81</link>

		<dc:creator><![CDATA[Laurie Thompson]]></dc:creator>
		<pubDate>Fri, 11 Mar 2011 16:54:10 +0000</pubDate>
		<guid isPermaLink="false">https://lauriethompson.com/?p=685#comment-81</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://lauriethompson.com/2011/03/10/drawing-lines-nonfiction/#comment-80&quot;&gt;marc aronson&lt;/a&gt;.

Marc,
Thanks so much for reading for my post and for expanding and clarifying your argument your responses &lt;a href=&quot;http://blog.schoollibraryjournal.com/nonfictionmatters/2011/03/11/speculation-and-debate-responses-to-my-hb-article/&quot; rel=&quot;nofollow ugc&quot;&gt;here&lt;/a&gt; and &lt;a href=&quot;http://blog.schoollibraryjournal.com/nonfictionmatters/2011/03/11/to-make-this-simple/&quot; rel=&quot;nofollow ugc&quot;&gt;here&lt;/a&gt;.  As I posted over there, my concerns can be (and were) addressed simply by changing the terminology used. With this kind of label, I agree it is a useful distinction in the minds of both authors and readers. I’m all for &quot;speculative nonfiction,&quot; just as long as it is revealed as such (which I&#039;m sure any responsible author would do). Looking at the books that have been receving attention in recent years, I would venture that the market is embracing this newer approach to children&#039;s nonfiction as well. Thanks for starting, and continuing, the debate! I think it only helps make the industry we love stronger. :)]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://lauriethompson.com/2011/03/10/drawing-lines-nonfiction/#comment-80">marc aronson</a>.</p>
<p>Marc,<br>
Thanks so much for reading for my post and for expanding and clarifying your argument your responses <a href="http://blog.schoollibraryjournal.com/nonfictionmatters/2011/03/11/speculation-and-debate-responses-to-my-hb-article/" rel="nofollow ugc">here</a> and <a href="http://blog.schoollibraryjournal.com/nonfictionmatters/2011/03/11/to-make-this-simple/" rel="nofollow ugc">here</a>.  As I posted over there, my concerns can be (and were) addressed simply by changing the terminology used. With this kind of label, I agree it is a useful distinction in the minds of both authors and readers. I’m all for “speculative nonfiction,” just as long as it is revealed as such (which I’m sure any responsible author would do). Looking at the books that have been receving attention in recent years, I would venture that the market is embracing this newer approach to children’s nonfiction as well. Thanks for starting, and continuing, the debate! I think it only helps make the industry we love stronger. 🙂</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: marc aronson		</title>
		<link>https://lauriethompson.com/2011/03/10/drawing-lines-nonfiction/#comment-80</link>

		<dc:creator><![CDATA[marc aronson]]></dc:creator>
		<pubDate>Fri, 11 Mar 2011 15:04:44 +0000</pubDate>
		<guid isPermaLink="false">https://lauriethompson.com/?p=685#comment-80</guid>

					<description><![CDATA[Laurie:
Thanks for engaging with my article -- I&#039;ve responded to you and Jim over in my SLJ blog. But I really don&#039;t agree that the key difference is between &quot;straight&quot; and &quot;creative.&quot; That is a distinction. But the kinds of writing I am talking about gets its excitement not (or at leat not necessarily) from using &quot;fictional techniques to turn facts into story&quot; but rather from emulating real detectives or scientists in the quest for knowledge. In other words, the thrill comes from thinking, not (or, again, not only) from storytelling. Storytelling often aims for closure after taking a reader on a satisfying journey. Thinking is open ended, it leaves the reader to keep hunting for new answers. That is the kind of NF for younger readers I see taking shape.]]></description>
			<content:encoded><![CDATA[<p>Laurie:<br>
Thanks for engaging with my article — I’ve responded to you and Jim over in my SLJ blog. But I really don’t agree that the key difference is between “straight” and “creative.” That is a distinction. But the kinds of writing I am talking about gets its excitement not (or at leat not necessarily) from using “fictional techniques to turn facts into story” but rather from emulating real detectives or scientists in the quest for knowledge. In other words, the thrill comes from thinking, not (or, again, not only) from storytelling. Storytelling often aims for closure after taking a reader on a satisfying journey. Thinking is open ended, it leaves the reader to keep hunting for new answers. That is the kind of NF for younger readers I see taking shape.</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
